Richard Baron, “The Cry in the Darkness”
Gary Mark Bernstein, “Optional on the Beach at the Festival of Shug Niggurath”
Kirsten Brown, “Le Ciél Ouvert,” and interior art
Jennifer Brozek, Essay: “The Sexual Attraction of the Lovecraftian Universe”
Clint Collins, “The Summoned”
Nathan Crowder, “The Fishwives of Sean Brolly”
Carrie Cuinn, “Introduction”
Galen Dara, interior art
Mae Empson, “Between a Rock and an Elder Goddess”
Constella Espj, “Ipsa Scientia”
Justin Everett, Essay: “Cthulhurotica, Female Empowerment, and the New Weird”
Cody Goodfellow, “Infernal Attractors”
Gabrielle Harbowy, “The Descent of the Wayward Sister”
Kenneth Hite, Essay: “Cthulhu’s Polymorphous Perversity”
Ahimsa Kerp, “Tuning In, Turning On, and Dropping Out at the Mountains of Madness”
Travis King, “The Dreamlands of Mars”
H. P. Lovecraft
Juan Miguel Marin, “Riemannian Dreams”
Matthew Marovich, “Sense”
Maria Mitchell, “Song of the Catherine Clark”
Silvia Moreno-Garcia, “Flash Frame”
Don Pizarro, “The C-Word”
Andrew Scearce, “The Lake at Roopkund”
Steven J. Scearce, “The Assistant from Innsmouth”
Stephen Stanley, interior art
K. V. Taylor, “Transfigured Night”
Leon West, “Amid Disquieting Dreams”
Oliver Wetter, Cover Art
Madison Woods, “Daddy’s Girl”
